The following content is part of Image Report’s “Case Studies” series, bringing information from our partners who supply our industry.
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There’s nothing this company can’t do for its clients, and its latest equipment installation from CMYUK has pushed its services into the stratosphere.
Eighteen months ago, Irish graphic design and print services provider Printroom decided to become a house of Pongs, using the renowned German manufacturers materials for all its digital textile output. The company has not looked back.
Pure Theatre has been able to achieve ‘perfect, smooth black' borders for its projector screens thanks to ‘brilliant' support from Quality Print Services (QPS) and inks from Nazdar.
When Jodie Comer’s pop-art-pyjamaed character, Villanelle strode through suburbia in episode one of the hotly anticipated second season of the BBC’s Killing Eve, viewers took to social media in their droves to try to locate the design.
Peter Black was established in 1947 but is always looking ahead, with an investment in the most cutting-edge UV-LED printing technology from Roland DG helping to support its continued success into 2019 and beyond.
Display Wizard was keen to source a printer that could truly live up to their expectations after suffering on-going issues with media deformation from their current four printers. Much of their work involves producing panelled pop-up drops and a wide variety of display formats for exhibitions. Yet their existing machines were printing print drops at different lengths which made panelling impossible. With the business building significantly they needed to find a printer or printers that could deliver quality and speed to meet their increasing demands.
Since its inception in 2013, Massivit 3D has partnered with Sartomer, a business line of Arkema, benefitting from its market-leading portfolio of N3xtDimension® UV-curable liquid resins. These advanced liquid resins make up a significant portion of Massivit 3D’s unique, proprietary Gel Dispensing Printing (GDP) technology. The technology enables the super-fast production of super-sized, lightweight, hollow, 3D-printed models up to 1.8 meters/6 feet high, giving Massivit 3D’s customers the power of 3D advertising.
To join its portfolio of carefully selected technology, including three Roland roll-to-roll printers – two Versacamms and one Soljet Pro 4 XR-640 – Essex-based cross-media print & graphics production company The Wrap Shop, recently invested in a flatbed Summa F cutter from printMAX. For co-founder Steve Hart it was a simple decision – he had seen the machine in action.