Walter Hale takes a look at how nontechnology is likely to impact the world at large, and the word of print in particular.
How automated do you want you workflow? Walter Hale takes a look at robotic technology trends and where it may lead you.
Robot is a curious word. First used by Czech playwright Karel Capek in his 1920 science fiction drama R.U.R, it was actually suggested by his brother Josef, a painter and writer. Karel had wanted to call his factory made artificial creations labori (from the Latin word labor) but he didn’t like the word. Josef suggested robot – robota was a Czech word that meant slave labour, drudgery or hard work. Karel liked the sound of that and it stuck, with him and us. R.U.R. stood for Rossum’s Universal Robots but in the near century since, robotics have been far from universal. In 1959, computer-assisted manufacturing was demonstrated for the first time by the Massachusetts Institute of Technology.
At 3.2m wide, this is one of the biggest wide-format machines to offer LED curing at a speed suitable for high-volume production environments. Nessan Cleary puts it through it’s paces.
LED curing is becoming increasingly common, particularly amongst smaller printers though many people doubt that it can be used with the bigger, more productive machines. So EFI caused a stir when it first announced the 3.2m wide GS3250LX, one of the biggest UV wide format printers to use LED curing. With around a hundred already installed in the UK, it's obviously proving popular.
Walter Hale explores the integration of music, video and other electronics into print.
Four years ago, a one-year-old child became an internet sensation by pressing a magazine as if it were an iPad and looking nonplussed when her prods and swipes had no effect. In an age of iPads, iPhones, iWatches and iEverythingelse it is easy to understand why the print medium is regarded as horribly one-dimensional and why it has become fashionable to declare that this form of physical content is dead.