Infinite Impressions has invested in a JWEI JCUT 2131 and a Mimaki JFX200-2513 EX

Poole-based print service provider, Infinite Impressions, has made its first significant capital equipment investment by installing a JWEI JCUT  2131 cutting table and a Mimaki JFX200-2513 EX flatbed UV LED printer from CMYUK. The strategic acquisition marks the company’s entry into the digital wide-format print market.

The decision to invest in the Mimaki JFX200-2513 EX flatbed printer and JWEI JCUT 2131 digital cutting table came after a year-long research process.

Infinite Impressions selected the Mimaki JFX200-2513 EX for its user-friendly design, print quality, and flexibility. The printer prints up to 1200dpi and features an 8x4ft bed.  Features include embossed printing that creates a raised textured surface by laying down multiple layers of ink for value added printing.  The NCU (Nozzle Check Unit) and NRS (Nozzle Recovery System) automatically detect and recover missing nozzles, while the Mimaki MAPS (Mimaki Advanced Pass System) technology employs an advanced algorithm to print optimal gradation patterns on each pass, significantly reducing print banding.

With regards to its purchase of the JWEI JCUT, Adrian Cojocaru, co-founder of Infinite Impressions, said: “We needed versatility, the ability to cut as much as possible.  The JWEI JCUT does exactly what we need at a significantly lower price point than other suppliers.”

Its standard feature set includes an automatic feeding conveyor, 1800kW liquid cooled router for powerful milling, Auto Tool Changer (ATC), Universal Cutting Tool (UCT), Kiss Cut Tool (KCT), Electric Oscillating Tool (EOT), Crease Wheel Tool (CWT), V-Cut Tool (VCT), and a modularised cutting head that accommodates up to three sets of tool combinations simultaneously. The bed is comprised of separate vacuum zones that secure materials and guarantee complete lay flat consistency for all substrates during production.

Mr Cojocaru added: “It’s perfect for us.  The JCUT does everything we require from converting, to cutting small signs at volume, to handling larger formats seamlessly.”