Category: Hands on

Roland’s VS series printers

Metallic inks can generate impressive effects, but you need a printer specifically designed to take them. Nessan Cleary takes a close look at Roland's VS series.

Metallic inks offer the wide-format print company the option to produce truly eye-catching special effects that can help differentiate it from its competitors and open up interesting markets such as labels and packaging. Several vendors offer metallic inks but here it’s Roland's VersaCamm VS series, specifically developed to handle these inks, that comes under the spotlight.

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UJV-160

This Mimaki hybrid printer promises the best of both worlds, handling both roll-fed and rigid materials with ease as Nessan Cleary finds out.

In the early days of UV printers hybrid devices did gain a poor reputation for quality with many manufacturers simply adapting existing roll-fed chassis as a quick, cheap way of getting to market. But Duncan Jefferies, marketing manager for Mimaki's UK distributor Hybrid Services, says that the UJV-160 has been designed from the ground up to be a hybrid device, noting: “Mimaki has an excellent reputation for build quality.”

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Kappa 180

Sophie Matthews-Paul takes a first look at Durst’s new textile printer the Kappa 180.

When Durst made its entry into digital textile printing in 2009 with the announcement of the Rhotex 320 it stood to reason that, having made the departure from its core technology of UV-curable chemistry, there would be more in the fabric field to follow. Although it’s not being launched until ITMA in September, I was able to spend some time with the new industrial strength Kappa 180 at Durst’s Kufstein premises in Austria.

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Agfa M-Press Leopard

Sophie Matthews-Paul visits Mortsel, Belgium, to test the versatility of this new UV-curable machine.

For Agfa Graphics, the acceptance of its unusual M-Press platform took a little time but now, in its guise as the Tiger, it is proving to be a successful solution for high-end applications where the mix of inkjet and screenprinting is a bonus. Combined with its printing capabilities are high levels of automation and slick throughput, it’s now a platform which suits the specific requirements of users needing the best of both production worlds.

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ColorPainter W-645

Sophie Matthews-Paul finds this new machine to offer good quality and good features at a good price.

In the wide-format sector there are machines that are launched with a fanfare and do hitherto impossible digital tasks. On the other hand there is a quieter band of manufacturers producing engines which do as it says on the tin, and which continue to serve the large numbers of users who want to produce bread-and-butter applications without having their lives and working practices disrupted.

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22-24 FEB, 2026
Sign & Digital UK

Where?

Hall 6, NEC, Birmingham

Cost?

Free to members of the sign making and digital print trade.

What is it?

Running for more than 35 years, Sign & Digital UK is a central part of the industry’s calendar, providing an annual launch pad for all that is new, and an economic stimulus for the industry. The show gives the opportunity to meet in person, see and compare equipment and kit from the major industry suppliers, and the chance to source new suppliers and gather new ideas to enhance and drive your business forward.

23 FEB, 2026
The Sign Industry Awards

Where?

National Conference Centre, Birmingham.

Cost?

An individual ticket is £289, whereas a table of 10 is £2,800.

What is it?

The Sign Industry Awards, presented by Sign Update and Sign & Digital UK, celebrate excellence in the visual communications sector by honouring past achievements, present innovations, and future advancements. These awards recognise outstanding suppliers, sign makers, and individual traders in sign making, digital printing, and visual communications. With over 35 years of industry service, SDUK and Sign Update ensure that everyone in the industry has a voice, highlighting and rewarding the best in the field.